Crítica de ‘Nine Perfect Strangers’¿Cuándo se ha llegado demasiado lejos?¿El interés es suficiente?Demasiado que contar en ‘Nine Perfect Strangers’
Título: Nine Perfect Strangers
Título original: Nine Perfect Strangers
Nicole Kidman (Masha)
Melissa McCarthy (Francis)
Michael Shannon (Napoleon)
Luke Evans (Lars)
Regina Hall (Carmel)
Bobby Cannavale (Tony)
Samara Weaving (Jessica)
Asher Keddie (Heather)
Manny Jacinto (Yao)
Melvin Gregg (Ben)
Tiffany Boone (Delilah)
Grace Van Patten (Zoe)
Hal Cumpston (Zach Marconi)
País: Estados Unidos
Director: Jonathan Levine
Guion: David E. Kelley, John-Henry Butterworth, Samantha Strauss. Novela: Liane Moriarty
Fotografía: Yves Bélanger
Nine Perfect Strangers will premiere its first episodes in the next few august 18th in the United States through Hulu and the August 20th internationally on Amazon Prime Video. The series is based on the eponymous novel by Liane Moriarty. Another one of the author”s novels, Big Little Lies, was brought to the screen by the creator of this series, David E. Kelly, and both have Nicole Kidman in the cast.
Nine totally unknown people, each with their own fears and problems, come to a retreat at the luxurious Tranquillum House resort run by Masha, a mysterious and strange Russian woman.
As they work through their own issues, they begin to wonder what exactly is going on in that retreat. (Amazon Prime Video)
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Nine characters with different characters and at different stages of life participate in a wellness retreat run by the eccentric Marsha (Nicole Kidman) Nine Perfect Strangers features eight episodes that chart a ten-day personal and spiritual journey, keeping a good pace while spending time stripping down their characters.
Those who come to this wealthy retreat come from different professions, but all find themselves on the personal edge due to loss, failure, anxiety, betrayals, fears, shame, trauma, guilt, or out-of-control emotions. In a year like 2021, this analysis of a dozen people living in confinement as a family might generate sympathy.
Some characters are walking stereotypes, but throughout the scenes they reach a certain depth, appearing natural when facing their problems and recognizing themselves as imperfect. This observation of individuals” fears and impulses will grip the audience, perhaps not because of the script, but because of the outstanding performances.
Nine Perfect Strangers is built on low heat, planting spooky clues in each episode, without focusing on the mystery that hangs over each scene and putting your characters at the center. Performances stand out above script or possible suspense. Each character maintains its own defined tone, Melissa McCarthy plays a funny Francis, grace van patten for a shy and regretful Zoe, Luke Evans like smart Lars, Bobby Cannavale plays a destroyed Tony and Regina corridor to a Carmel with anger issues, out of twelve complex performances.
Above the drama or the issues that haunt Marsha”s character, the series is built around personal messages such as finding one”s stability beyond the professional one, not pinpointing the culprits, but adapting to the circumstance and asserting that uncomfortable family issues. another not to take root, because shared guilt is better, that before moving on it”s good to see where it comes from or that you can”t measure your own worth against the rest.
They are individualistic messages, contemporary to current thinking, that draw on mindfulness by focusing on living and embracing the retirement experience without questioning ethics, opening awareness to spirituality. So the question posed by the series is: When is it too much? That is, when help takes advantage of the pain of others? When does a fantasy start to turn into a nightmare? Where are the boundaries, is the series able to identify and cross them?
Nine Perfect Strangers It”s a spiritual, delicate, and sometimes psychedelic project that says a lot, but can end up missing its tone. Is it fun and is it a thriller? Want to focus on the characters” psychology or the mysteries that haunt them? The construction of the climate of insecurity for the spectator is commendable while the scene induces tranquility for the characters. In this way, he plays with limits not only in tone, but also in morals when speaking of the correct, uncomfortable, abuse, failure, trauma or violence.
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