It is a very positive sign that over the years there are more films Y Series with LGBT characters, as it is an indication that little by little the world seems to be changing for the better, giving the deserved focus to this group, until recently invisible in the culture. But as much as the fictions with characters from this group seem to have come to stay among the general public, it is worth remembering. tapes maybe not so recent, but so surprising, as is the case with film Today I come to bring out the enjoyment of Pride Month.
Based on the eponymous musical by John Cameron Mitchell and Stephen Trask, tells the life of Hedwig, a transgender woman from East Berlin and leader of the band Hedwig and the Angry Inch. The band makes a living playing roadside restaurants while their songs tell the punk rock beat of Hedwig”s life, but their main goal is to follow Tommy Gnosis, a popular rock star he loved and stole from. Your songs, now turned into hits.
The best adjective to start talking headband it is none other than unclassifiable. If the story itself sounds bizarre in the best of ways, the form doesn”t lag far behind throughout the shoot. Since its inception, the film grabs the viewer and throws him to the ground in a visual clash with the Hedwig character and his gang; and auditory with punk rock songs that are theoretically casual but loaded with meaning. What could be in a superficial musical focused exclusively on pomposity that would burst out laughing at the first change or in a tearful drama where the main point would be Hedwig”s tough transformation and/or acceptance becomes something extraordinary that mixes glamor and terrestrial, the ordinary and the fascinating, drama and comedy in a perfect symbiosis capable of surprising both the most neophytes and those with more audiovisual history.
One of the great successes of narration is the way the songs are counting flashbacks Hedwig”s story, so that she can get to know her better, the passage from childhood to the person she is in the present moment is more clearly appreciated and the exercise of empathy that is established with her is the result of a natural process. In all this process in which Hedwig opens the channel to the viewer, his worldview is loaded with very striking concepts about what love is or what people are. Since these are such complex concepts, what better way to help illustrate them than through animations? In this stimulating way, Hedwig”s entire philosophy of the world is made much clearer through simple animations that resemble sketches, almost as if a music video were about songs like “Origin of Love”, so these little additions become one of the highlights from to film.
as it happened in How to make a punk girl fall in loveIt is no coincidence that punk rock is the chosen genre with which Hedwig can openly express himself and feel comfortable, as punk”s roots come from a character that breaks the conventional, both aesthetic and personality. Likewise, punk and all variants of rock have always been a haven for all those who felt alone, different or with the feeling that they didn”t quite fit in, so it”s not surprising that the band members feel that way. , like a gang of characters left to their own devices who have nothing but music to go on.
It is also no accident that such an emphasis is placed on the fact that Hedwig was born in East Berlin, as it is an excellent metaphor for the split into two halves (again showing the duality that spans the entire city). film), on how someone can grow up with clear desires that are systematically denied until they have the opportunity to reveal themselves to the world as they want, and that even so, when they finally manage to accept themselves as they are, they still have the same problems, even some have multiplied .
As the story of Hedwig is almost entirely, all the praise can and should shower him. John Cameron MitchellThere are few, as he performs superb work under all perspectives where the actor feeds from the screen with his mere presence and blends in perfectly with the character, both when it is more excessive with his varied sets, also the result of a formidable wardrobe of work, hairdressing and make-up; like when you”re most vulnerable. And always with absolute control of the tone, which never goes off the rails when it has all the possibilities for that to happen.
You can try to explain in a thousand words how unconventional this is headbandBut none would come close to accurately describing the experience this entails. It”s comedy, it”s drama, it”s musical, it”s nonconformity, it”s rupture, it”s an irreverent but profound song for all those who feel marginalized and it”s extraordinary in each of the keys you press, becoming a strange cult rarity that should squander more and that leaves no one indifferent.